Farzad was interviewed by ProgArchives.com and talked about his experiences in Iran, previous and upcoming records and what he’s up to currently.
Check out the full interview here.
Farzad Golpayegani is a virtuoso guitarist who was born Tehran, Iran.
Farzad Golpayegani bought his first guitar in 1994. For a while, he had a guitar teacher, but he developed most of his skill teaching himself.Farzad Golpayegani composes all the music, mixes and masters all tracks and some cover art is self designed.
He plays 7 string guitars, acoustic guitars, bass guitars and for keyboards, drums and percussion, he sometimes programs it himself. Other times he will use band members for other instruments.
His style can be described as a cross between jazz fusion and metal.
He has released four albums. The two first albums are available from his website as free downloads while the last two albums are available through CD Baby.
I got in touch with Farzad and here is his story.
Just to start with, please tell us more about your background and why you took up music. Who were and still is your musical inspirations ?
I’m Farzad Golpayegani, Persian Composer, Musician and Visual Arts artist. My father was artist as well, although he passed away at my childhood but we always had the spirit of interest in arts in the family. I have an older brother who had a big role in forming my musical view since I was a kid. He was listening to rock and Metal music on and little by little I found rock music interesting. When I became teenager I bought my first electric guitar and focused on music more seriously.
Iran has a very restrictive view on music and in particular; more contemporary music and art. Musicians and film directors has been put in jail for making music or movies. You have now relocated to Istanbul, Turkey. But how was it to compose music (your two first albums ?) under these restrictions ?
It was very difficult. There was a time that even carrying a musical instrument in the street was a bit risky but about 8 years ago some opportunities started to appear on government’s politics about arts. That time there were some hopes of having the musical activities as a rock musician legally. I was lucky to get the first license for a Metal album in Islamic Republic of Iran. Then after some more struggles got the permission to have couple of metal concert as well. Although my music is Instrumental and also has many Eastern and Iranian elements in it still it was very hard to get the permission. We needed to get everything about our work Approve by the government, Including band’s name, members with complete portfolio, music, cover design, advertisements, vocals and lyrics separately (if there was any) and etc. other than that we could face serious problems.
Even after getting all the licenses still we were not 100% sure that we’ll having a performance or something like this. For example it was possible that just before going on stage or after playing one or two songs an authority prohibit our performance. All these were only about the time that working was Possible, because after the next president and more conservative view of their politics it was almost impossible to have any serious activity. It was the time that underground music in Iran started to grow faster. I’m currently consider as a underground musician but underground music is something different in Iran, because we’re not allowed to work. Though in western countries people prefer to be underground artists on their own.
Let’s go to your first album One from 2002. Please tell us more about this album.
In brief still I’m following the same idea of that record, which was achieving a mix from Metal music and Middle Eastern and Persian music. It was my first experience to record my songs in that level. In fact first I made some records to take it to the next level then in a professional studio, but it didn’t happened. There were many problems and little by little I learnt how to work on my home studio and then completed the album myself. Even finally in the main version I used some of the first records that I use to make as a guide. For example in the demo version I had some solos that I decided not to repeat again because I thought the feeling that I was following while playing the parts is fit into music. Obviously because of first experience it has some mistakes but I learnt a lot during preparing the tracks. I composed the music, performed, recorded, mix, mastered and even designed the cover on my own. I took the license for releasing the album myself and then signed an unfair contract for album “One” with a record label inside Iran which wasted many opportunities about my first records. I faced a very long latency, about 2 years for it to be published..
Let’s go to your second album Two from 2005. Please tell us more about this album.
Since “One” faced many latency for distribution, preparing the second release became a bit slow. I had so much enthusiasm to work on my projects especially because it was very new and different from other releases on that time inside Iran and there was no any other metal music in our official stores. I managed to get the license for album “Two” as well but when I was waiting for my turn to have my album be published president and the politics of the ministry of art changed. They found my record doesn’t meet the qualifications they accept and refused to let album “Two” be published. From that time I didn’t go to get any license anymore.
Theme of my second album is very similar to the first one but it sounds more professional. Again I tried to mix Metal and Traditional music and other styles together, used eastern tuning for guitar and etc.
Let’s go to your third album Three from 2008. Please tell us more about this album.
Album “Three” is my best experience to have different types of music in single Metal record. I call the style of the record as “Persian Progressive Metal”. To get more progressive feeling on the music I decided to have only three tracks with long durations like 17 – 18 min. for each. Another element which is different from previous albums is that I tried to mix eastern and western elements in all different parts of the record, Especially in heavy and fast parts it’s more obvious. I have special tuning for acoustic guitar that make it sound like an Iranian instrument. I have used this technique in previous albums as well but this time I used it while having the fast tempo and very aggressive rhythms too. In this album “Arash Jafari” was the guest artist on percussions, we used “Darbuka”, “Oudo” and “Daf” on some parts. Album also includes a hidden track which is a medley cover song from 10 different artists. I covered the tracks in my own style like other tracks in the album. Also connecting one song to another brought more progressive sense into that cover song.
Let’s go to your fourth album Four from 2010. Please tell us more about this album.
In last three albums there were moment that music was close to “Fusion” music. For this record I wanted to make a full album in that style. In spite of big role of technical playing of electric guitar in my music I decided to do not use electric guitar in entire record. In fact there are only Acoustic guitar (steel and nylon sting), Resonance guitar, Bass guitar and Violin, which I played all by myself. Also “Ali Sanaei” was the guest artist on bass guitar for last two tracks of album. I have done programming for strings in some songs too. This record does not include any drums and percussion as well. Comparing previous albums I have more Middle Eastern influences in this record. In many moments listeners think I’m playing an Iranian instrument but in fact like previous records it’s all acoustic guitar.
You were also very much involved in the computer game Quest of Persia: Nader’s Blade and it’s soundtrack. Please tell us more about this game and soundtrack.
Aside of my own projects I also work as a composer for short movies, advertisements and video games. Quest of Persia II was a very interesting commission to me because it needed most of qualifications that my works already have. Radicals like Persian motifs and Dynamic feel of rock music. The only difference was need of epic sense that I fulfilled it by adding Strings and Choir into compositions. Story of the game come from the Persian history and it’s one the best video games that has produced in Iran so far. First we wanted to release the soundtracks untouched as an album but then I had an idea to rework on soundtracks to form it like another record of mine. A record that doesn’t include only Themes and Rhythms but also Solos. I have also composed music for another video game called “Garshasp”. Quest of Persia II has a historic theme and Garshasp is more ancient. For Garshasp I also wrote wind instruments to achieve the right environment. I’m adding some parts and Solos to these two projects and have in mind to complete it as my sixth record after I finished my own fifth music project.
For those of the readers who are not familiar with your music: How would you describe your music and how would you describe your guitar style ?
My music has Middle Eastern and Persian elements in it. I’ve followed different styles in my albums. They are mainly “Instrumental Progressive Metal”. I also work in “Fusion” genre. Traits of my music are shredding with Eastern feel with 7string electric guitar, using Acoustic guitar with innovative tune which make it sounds like old Eastern instruments, Progressive and dynamic riffs, mix different styles into on single composition. I’m influenced by legend musician and composers in different categories, like Folklore and Traditional, Jazz, Classic, Rock and Metal. In spite of technical view of my works, to me playing solo and shredding is not only passing from one technique to another and it doesn’t matter how hard is to play a solo part, more important and valuable part is the feel, character and sense in it. When I play a solo I try to keep the Persian and Eastern root, even if I’m playing a very fast and heavy riff.
Your two albums are free downloads from your website and the final two albums are available from CD Baby. I believe all four albums are self-released. Please give us pros and cons of releasing your music on your own.
Music industry has changed a lot and in my opinion waiting for a record label to sign with is losing the chance to get more experience. Actually I was signed for my first record, but the situation was even worse. I wanted my album be released in a good way and financial part was not so important to me for the first record because at first I wanted to get more exposure and audience, so I gave most of the rights to record label. It was a mistake of me that thought if I give them more rights they will distribute it better because they didn’t treat fairly. They made delay for about two years on releasing my record, and then did it in a very bad quality. There was only cassettes and I never even saw their CD! The price they paid me was contemptuous low. In the meantime there was struggle with government for getting the permissions for the next records, so after that I preferred to publish the records as Self-released which was not legal actually in Iran. I made some CDs by myself but generally my records were distributed over the internet on my official website farzadonline.com. because of economic sanctions I was not able to release the albums on digital music stores until I moved to Turkey and assigned my last two record “Three” and “Four” as a self-released on “CD Baby” and all streaming online music stores. Financially I don’t receive a big feedback but hopefully I can plan and schedule on my own. I believe nowadays number of independent artist is growing and it’s not unusual to release an album without signing to a big record label.
Besides of music; how is your life in Istanbul ?
I spent last year not so smoothly, I had all the usual problem with moving to a new place, sometimes I’ve been facing hard problems that now I consider them as experiences. Hopefully now I feel more settle in here. Istanbul is a very live city and I like its atmosphere and culture. I also visit my hometown very frequently. I work as a freelancer and for most of the projects that I receive it’s not important where I stay. Aside of being a composer and musician I’m also visual art artist and work on graphic design commissions as well.
The first reason for me to move to Istanbul was to continue my musical activities easier. During the last year I tried to reform my band for start having performances but unfortunately it didn’t work. Just recently I sorted finding the suitable members out and it’s possible to have a concert soon. But as my activity, I’m usually working on commissions I receive and my own projects at home-studio.
What is your plans for this year and beyond ?
If everything goes well I’ll be starting my performances in a few months here in Turkey. I have in mind to release two albums in this year, which will be “Five” and “Six”. Album “Five” has a different style from my previous albums. It’s electronic ambient and has electric guitar solo in it. Rhythm of this record’s compositions are not heavy or metal in anyway but in solo parts it is very technical. The sixth album will be reworked soundtracks that I have composed for video games so far.
I enjoy hard work on the projects I like, and I hope to find the time for fulfill my plans. Beside all of musical activities I’m a Painter too and I hope to complete my next Painting collection soon. Since I started working on music seriously I haven’t spent so much on my paintings. During last year I didn’t find time to paint any new artwork.
To wrap up this interview, is there anything you want to add to this interview ?
I only have a message to beginner musicians and that they should never waste their time to find a high level opportunity to continue their work. If they don’t work, they don’t make progress on their carrier. The most important thing is to enjoy working on music, and not getting a huge feedback. If you don’t love playing music in the first place even getting a huge exposure will not be satisfying for long.
Thank you to Farzad for this interview
His four albums can be downloaded from here